Graphic artist An Eisendrath (Studio Anorak) used the 18th century woodblocks from the exclusive collection of Museum Plantin-Moretus to create an animated visual compagnon de route for Händel's Funeral Anthem for Queen Caroline.

From printing arts to woodblocks to video art in the concert hall

On October 8, the concert hall of Flagey turns into a virtual museum. At the concert Händel: Funeral Anthem for Queen Caroline graphic artist An Eisendrath (Studio Anorak) - recipient of the Henry Van de Velde Award 2018 - will exhibit a selection video projections on the big screen. The animated illustrations are based on the original woodblocks from the exclusive collection of the Museum Plantin-Moretus in Antwerp. With this collaboration the choir transports music lovers back to the 18th century.

"This 400 year old boat from the woodblock collection of the Museum Plantin-Moretus has come a long way. This week it will be featured in the animations that I created together with Tommy Rombouts for the Vlaams Radiokoor. They will be projected on Thursday October 8 on a 10 meter wide screen," says An.

The woodblock was meticulously cut out of a small piece of wood of about 4 by 4 centimeter, some 400 years ago. It is one of the 14.000 woodblocks that are preserved at the museum. Both the woodblock as well as the original print are found in the museum.

An has been working for several years for the Museum Plantin-Moretus, and in search of the story and material of the concerts of the Vlaams Radiokoor this autumn, the woodblocks were a logical choice: a collection from the time of Plantin - and thus a link with the many baroque programmes. Simple, refined and of timeless beauty - just like the vocal music of many centuries. A selection was already featured in the autumn 2020 season brochure, but in the production Funeral Anthem for Queen Caroline they play a leading role: the 13 movements of the work are visually enriched by animations of the woodblocks.

“Each one of the woodblocks illustrates a part of the concert. It was a daring exploit to make a selection from the 14.000 art objects that perfectly fits the lyrics and themes of the concert. But I am very proud of the result. Just like vocal music, the selected pieces attest to the deep love for craftmanship and timesless beauty.”
- an eisendrath, graphic artist

a sneak preview

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