Julia Wolfe’s music gets under your skin and doesn't let you go. She weaves folk, classical and rock into a single pulsating language, unafraid of experiment or of bold social statements. As co-founder of the legendary Bang on a Can collective, she helped steer the concert world in a new direction and made experimentation the norm.

Curious to know more? Here is Julia Wolfe in a nutshell.

American roots

American composer, born in Philadelphia (1958); lives and works in New York. Raised in a musical but not classical household, she was fascinated from childhood by folk traditions and American ‘working songs’.

Bang on a can

Co-founder and artistic director of Bang on a Can, together with David Lang and Michael Gordon.

Pulitzer Prize

Winner of the 2015 Pulitzer Prize for Music for Anthracite Fields, her monumental work on the history of American miners.

Don't judge a book by its colour

She studied with, among others, the Dutch composer Louis Andriessen, who once remarked that although she may appear calm and courteous, her music is ‘the sharpest and most aggressive’ of them all.

'athletic music'

Her scores are often physically demanding: she pushes performers to the limits of endurance, works frequently with extreme tempi, and describes some passages as ‘athletic music’.

Critical lens

She is known for her strong social engagement, creating large-scale works on labour, women’s rights, migration and historical narratives (Anthracite Fields, Her Story, Steel Hammer, Fire in my mouth, …).

Fun fact

For Fire in my mouth, Wolfe searched the Garment District for the perfectly sounding pair of scissors. The women’s chorus uses them in performance both as props and as percussion instruments, while the orchestra evokes the sounds of sewing machines and fire through extended techniques.

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